...Logs stand as essential archives to the ongoing practice of Weedists. Traditionally, work logs symbolise the capitalist' s strategy of standardising and quantifying labour effort into measurable units, as well as a tool of censorship to dictate and exploit one' s daily routine and autonomy. It usually records one’s work hours which will be a direct determinant to one’s remuneration, sublimating human capital into the unit of time devoted. This military form exudes a violent beauty of clarity, generalisation and simplification, the basic attributes that are regarded as essential values of capitalism.

The linguistic linearity probed by result-driven capitalism has also become a heated subject of investigation within the field of anthropology. This echoes Walter Benjamin' s view on history 'as a story to redeem'  (Benjamin, 1940) and Donna Haraway' s cyborg writing - 'retelling original stories to subvert the central myths of the origin of Western culture' (Haraway, 1985). The mushroom enthusiast and anthropologist, Anna Tsing, has developed a narrative-driven framework of spoken stories in order to challenge the dominance of evidence-based scientific reasoning in writing and learning about ethnography and natural history (Tsing, 2015).

In a discussion in 1972 on 'intellectuals and power', Michel Foucault and Gilles Deleuze argued that practice should not be simply seen as an application of theory, but that theory is necessarily a practice of 'the struggle against the forms of power'. The two concepts are much entangled with each other as what is necessary to be challenged the most is often the prohibitive structure of speaking. A theorist, in this vein, will usually forgo one' s own representation and lose one' s subjectivity in order to anchor a new set of vision that sets one free from the established dogma.

Considering the above discussion in terms of narratives, the Weedists have decided to deploy an empirical recording system of logs in order to avoid a singular approach of ideological debate, but set foot in reality and experience the Weedists' infant beliefs through real-life encounters and lessons, to listen to the other hidden Weedists in society and stand in solidarity with the weeds in different corners of our environment... 

 

LOG IN.   Asian Art Department of an International Auction House at London King Street. Daily Stipend of £15. / Part-time cyclist messenger for a community newspaper in Oxford. Hourly rate of £8. / Interned at a policy thinktank in Hong Kong and has been subsequently extended into a part-time contractor's position. Summer Internship: HKD9000 per month; (Part-time Contractor: non-disclosure because of on-going nature) plus warning texts from an art affiliate in Hong Kong regarding political complicity / Director’s Assistant at a contemporary art gallery in London & Brussels (2018). Irregular stipend. /Full-time art student at Ruskin School of Art, University of Oxford, matriculated in 2016, conferred in 2019. 

Kwan Q Li 李君. #HK852. 

Weedist, Capitalist Refugee,

Occupational Realist,

Regressive Romantic (R.R.)

Email. Instagram. Bio.

In Queeniland,

Weed is the highest 

form of hope - I keep 

an internal memo of

the Weedists 

Quasi-immigrants are 

our daily routine

Sometimes I hear the 

greenhouse weeps

But in happy hours,
I dreamt of 
free riding
the Mobike to 
T.A.M.,
landing on the 
red moon
in my astronaut 
helmet.

Feel good flesh zero

Just some pillow talk

minor linguist Icsulcer at most

et ce te ra, et ce te ra . . .

 

Yours autonomously,

Queenie  (Prototype ______ )