Queeniland

(2018-19)

Medium:

。Photography

。Mail Art

。Installation

。Performance

Shown in:

'Hong Kong Textuality', University of Sheffield, 2019.

​A series of 10 C-Type photography.

'I propose the following definition of nationality: it is an imagined political community - and imagined as both inherently limited and sovereign.' (Benedict Anderson, Imagined Communities, 1983)

'The body in pain is a body on the edge of society.' (Amelia Jones, Survey: Body Splits, 2000)

 

To which I reply: the body in parade is a body on the centre of spectacle.

Queeniland

Queeniland (2018). Mixed-media installation.

200x150cm Photography printed on canvas; wood; gold-coated frame with stamped postcard; iPad with the series of 10 photography of ‘Queeniland’; Trade paints in coral red & Venetian green; Coloured steel safety pins.

The Weedist's Room (2019). Performance lecture.

 

Performance documentation video, 4-min excerpt.

'Hong Kong Textuality', University of Sheffield, Sheffield, 2019.

Space Diplomacy (2019). 

i -  Installation view, Exeter Chapel,Oxford

ii - Selected digital C-type photograph