Queeniland
(2018-19)
Medium:
。Photography
。Mail Art
。Installation
。Performance
Shown in:
'Hong Kong Textuality', University of Sheffield, 2019.
A series of 10 C-Type photography.
'I propose the following definition of nationality: it is an imagined political community - and imagined as both inherently limited and sovereign.' (Benedict Anderson, Imagined Communities, 1983)
'The body in pain is a body on the edge of society.' (Amelia Jones, Survey: Body Splits, 2000)
To which I reply: the body in parade is a body on the centre of spectacle.
Queeniland (2018). Mixed-media installation.
200x150cm Photography printed on canvas; wood; gold-coated frame with stamped postcard; iPad with the series of 10 photography of ‘Queeniland’; Trade paints in coral red & Venetian green; Coloured steel safety pins.
The Weedist's Room (2019). Performance lecture.
Performance documentation video, 4-min excerpt.
'Hong Kong Textuality', University of Sheffield, Sheffield, 2019.
